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The British Musical Biography

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MACFARREN.
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and M. Garcia. Organist of the Old Episcopal
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Chapel, Glasgow, 1827, where he remained
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five or six years ; of St. Mary's Episcopal
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Church till 1834 ; and of St. Jude's Episcopal
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Church till about 1857. Precentor of Park
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Church, 1859-1866. He was conductor of the
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Glasgow Amateur Musical Society, and it was
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under him the first performance of Handel's
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" Messiah " was given in Glasgow, on April 2,
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1844. He removed to London about 1869-70,
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and was harmoniumist in Camden Road
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Presbyterian Church, 1871-1882 ; and con-
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ductor of the Camden Road Choral Society
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for a time. He retired from all professional
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work in 1882. He compiled Congregational
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Psalmody of St. Jude's Church, Glasgow,
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n.d. ; Selection of Sacred Music, containing a
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Selection of Psalm and Hymn Tunes, Chaunts,
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Te Deums, etc. ; Park Church Psalmody,
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Glasgow, 1860; The Chorale and Supplement-
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ary Psalmody, a Selection of Ancient German
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and' other Chorales .. Glasgow, n.d.; The
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Scripture Chant Book. .Glasgow, n.d. Songs
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in " Lyric Gems of Scotland," etc.
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Macfarren, Sir George Alexander 260-L-25
Macfarren, Sir Qeorge Alexander,
Macfarren, Sir George Alexander,
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composer, author, and professor, born in
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London, March 2, 1813. He studied under
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his father, George Macfarren (1788-1843), the
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dramatist, and under Charles Lucas in 1827,
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and Cipriani Potter at the R.A.M., 1829. In
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1834 he became a professor at the R.A.M.,
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and on March 16, 1875, was appointed Pro-
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fessor of Music at Cambridge University.
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He was Mus. Bac. and Doc. Mus., Cantab.,
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in April, 1876. He became Principal of
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R.A.M. in 1876, and was knighted in 1883.
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He died in London, October 31, 1887. For
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many years he was blind.
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Works. — Operas : Devil's opera (libretto by
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Geo. Macfarren), English Opera House, Lon-
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don, August 13, 1838 ; Don Quixote (G. Mac-
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farren), Drury Lane, 1846 ; King Charles the
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Second (D. Ryan), Princess' Theatre, October
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27, 1849; The" sleeper awakened (J. Oxenford),
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H.M. Theatre, 1850; Robin Hood (J. Oxen-
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ford i, H.M. Theatre, 1860; Jessy Lea (J. Oxen-
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ford), Gallery of Illustration, 1863 ; She stoops
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to conquer (E. Fitzball), Covent Garden, 1864 ;
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Soldier's Legacy (J. Oxenford), Gallery of
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Illustration, 1864 ; Helvellyn (J. Oxenford),
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Covent Garden, 1864 ; Prince of Modena (MS.);
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Caractacus (MS.) ; El Malhechor (MS.) ; Allan
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of Aberfeldy (MS.). Maf<ques: Emlilematical
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tribute, on Her Majesty's marriage (G. Mac-
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f,arren), Drury Lane, 1840; Freya's Gift
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(J. Oxenford), on marriage of the Prince of
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Wales, Covent Garden, 1863. Farces avd
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Melodramas : Mrs. G., Queen's Theatre, 1831 ;
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Maid of Switzerland, Queen's Theatre, 1832 ;
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Genevieve, 1834 ; I and my Double, 1835 ;
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Old oak tree, 1835 (English Opera House) ;
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If the cap fit ye, wear it, 1836 ; Innocent sins,
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1836 ; Love among the roses, 1839 ; Agnes

MACFARREN.
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Bernduer, 1839. Oratorios : St. John the
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Baptist, Bristol Festival, October 23, 1873;.
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Resurrection, Birmingham Festival, 1876;.
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Joseph, Leeds Festival, 1877 ; King David,
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Leeds Festival, 1883. Cantatas : Lenora
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(Biirger-Oxenford), Harmonic L^nion, 1853 ;
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May Day (Oxenford), Bradford Festival, 1856;
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Christmas (Oxenford), London, 1860; Songs-
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in a cornfield (Christina Rossetti), 3 868 ;
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Outward Bound (Oxenford), Norwich Festival,
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1872; Lady of the Lake (Scott adapted),
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Glasgow Festival, November 15, 1877; St.
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George's Te Deum, Crystal Palace, 1884..
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Church Music : Choral Service in E flat ;
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Unison Service in G ; Fifty-two Introits or
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short anthems for holy days and seasons of
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the church ; Two-part anthems for female
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and male voices, and for female voices alone ;
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Numerous single anthems ; Hymns in Angli-
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can Hymn Book, etc. ; Chants, etc. Secular
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Vocal Music : Six convivial glees for 3 voices ;
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Fifteen Shakspere Songs for 4 voices (1860-64);
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Three four-part songs for male voices; Six
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four-part songs (by Chas. Kingsley) ; Six four-
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part songs (by Herrick) ; Three madrigals ;
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Numerous detached four-part songs, trios,
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duets, etc. Sojigs and ballads : Four songs,
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from Lane's "Arabian Nights"; Two son gs-
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with clarionet accomp. ; Three songs with
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flute accomp. ; Four songs from Tennyson's
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"Idylls"; Three songs from Heine; Six
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songs from Lewis Morris' ' Gwen" ; Numer-
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ous detached songs. Sy^iiphonu s : No. 1 in C
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(1828) ; No. 2 in D minor ; No. 3 in F minor;
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No. 4 in A minor (1834); No 5 in B flat ;
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No. 6 in C sharp minor ; No. 7 in D ; No. 8
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in E minor. Concert Overtures : E flat ;
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Merchant of Venice ; Romeo and Juliet ;
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Chevy Chase (1836) ; Don Carlos ; Hamlet ;
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Festival ; Idyll in memory of Sir Sterndale
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Bennett ; Concerto for pf. and orchestra, in
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C minor ; Concerto for flute and orchestra,
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in G ; Concerto for violin and orchestra, in G
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minor. Co^tcerted Music, Instrumental :
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Quintet for pf. and strings in G minor; Quin-
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tet for concertina and strings in A ; Six
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Quartets for strings in G minor, C, A, F, G
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minor and G ; Trio for pf., violin, and 'cello,
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in E ; Trio for pf., flute, and 'cello, in A ;
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Sonatas for violin and pf. in A and C ; Sonata
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for flate and pf. in B flat. Organ : Sonata
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in C. Pianoforte : Sonatas in E flat. A,
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G minor, D, F minor, B flat, E, and C minor,
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etc. Violin : Five romances for violin and
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pf., etc. Literary and Theoretical Works:
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Little Clarina's Lesson Book, 1853-55 ; Rudi-
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ments of Harmony . .London, 1860 (14 eds.) ;
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Six Lectures on Harmony. .London, 1867,
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3rd ed., 1880; On the Structure of a Sonata,
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London, 1871 ; Eighty musical sentences to
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illustrate chromatic chords, London, 1875 ;
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Counterpoint, a j)ractical course of study,
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London, 1879 ; Musical history briefly narrated


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