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The British Musical Biography

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BRANSCOMBE.
8736:
1850 ; " Hymns for the Church, or home
8737:
circle," London, 18G1. Composer of duets,
circle," London, 1861. Composer of duets,
8738:
songs, and -pi. music.
songs, and pf. music.
8739:
8740:
Branscombe, Edward 58-L-4
Branscombe, Edward, tenor vocalist,
8741:
born at Camberwell, London. Studied for
8742:
three years at the Guildhall School of Music ;
8743:
at the R.C.M. for two years, under Blume,
8744:
and later with Sims Reeves. When nineteen,
8745:
he was appointed choirmaster and assistant
8746:
organist of St. Paul's, West Brixton, and
8747:
formed the Brixton Orx^heus Glee Club. A
8748:
concert he gave in Brixton Hall, October 19,
8749:
1885, brought him into notice as a singer.
8750:
In 1887, he was appointed to the Church of
8751:
St. Andrew, Wells Street ; and in December,
8752:
1890, lay-vicar, Westminster Abbey. He has
8753:
sung at the principal London concerts ; at
8754:
the Crystal Palace ; and in the chief jprovin-
8755:
cial centres. He married Marie Hooton,
8756:
the contralto vocalist, who studied at the
8757:
R.A.M., winning the Westmoreland Scholar-
8758:
ship, 1888, and the Parepa Rosa Gold Medal,
8759:
1890. The artist pair now rank among the
8760:
most successful of our younger singers.
8761:
8762:
Braun, Charles 58-L-25
Braun, Charles, composer, born in Liver-
8763:
pool, 1868, where his father, an accomplished
8764:
amateur, was partner in a large business firm.
8765:
He was educated at Clifton, and Cambridge.
8766:
Studied music at Leipzig, under Hans Sitt.
8767:
Resident in England, and engaged in com-
8768:
position. His cantata, " Sir Olaf," was pro-
8769:
duced at the Philharmonic Hall, Liverpool,
8770:
March 5, 1889, and attracted much attention.
8771:
In December, 1890, a second cantata, " Sigurd,"
8772:
was produced with success at the same place,
8773:
both performances being conducted by Mr.
8774:
Rodewald, an amateur, who has done much
8775:
for music in Liverpool. Charles Braun has
8776:
written a good many songs, and is now en-
8777:
gaged on an opera.
8778:
8779:
Bray, Mrs. Anna Eliza 58-L-41
Bray, Mrs. Anna Eliza (born Kempe),
8780:
writer, born at St. ]Mary, Newington, Surrey,
writer, born at St. Mary, Newington, Surrey,
8781:
December 25, 1790. She died at London,
8782:
January 21, 1883. Wrote a number of novels
8783:
and miscellaneous works, and "Handel: his
8784:
Life, Personal and Professional, with Thoughts
8785:
on Sacred Music," London (Ward & Co.,) 1857.
8786:
8787:
Breakspeare, Eustace John 58-L-48
Breakspeare, Eustace John, composer,
8788:
writer and pianist, born in Birmingham, April
8789:
22, 1854. Studied under S. S. Stratton. Has
8790:
appeared at concerts in Birmingham, as solo
8791:
pianist and accompanist, but is better known
8792:
as a writer on music. He has read papers on
8793:
"Musical Aesthetics," and other subjects, at
8794:
meetings of the Musical Association (1880-2-3) ;
8795:
the College of Organists (1888), and at various
8796:
institutions in Birmingham. His contributions
8797:
to the Mtisical Standard, Musical Record, Mzisi-
8798:
cal Times, Musical Opinion, and other papers,
8799:
are very numerous, and embrace a wide range
8800:
of subject matter. He has written a Suite, and
8801:
many pieces for pf., and a number of songs,
8802:
but hitherto very little has been published.

BREMA.
8808:
Brechin, William 58-R-1
Brechin, William, teacher, and inventor
8809:
8810:
of "Brechin's Stave Sol-fa Notation," was
8811:
born at Brechin, Forfar, 1824. He held ap-
8812:
pointments as precentor in Montrose, Forfar,
8813:
Perth, Leith, and Edinburgh. The principal
8814:
feature of his system is the employment of
8815:
letters, as in the ordinary Tonic Sol-fa, to
8816:
represent the notes, together with certain
8817:
signs to mark the duration. The notes are
8818:
written on the staff. In addition to the in-
8819:
vention of the Stave Sol-fa Notation, Brechin
8820:
has edited and compiled "Vocal Exercises,
8821:
Rounds, etc., in the Stave Sol-fa Notation,
8822:
forming a short course of Lessons in Sight
8823:
Singiiag in the key of F." "Congregational
8824:
IMusic, Psalms, Hymns, etc., in Stave Sol-faNo-
Music, Psalms, Hymns, etc., in Stave Sol-faNo-
8825:
tation." "The Standard Scottish Psalmody"
8826:
(compiled from the foregoing) "Exercises in
8827:
Sight Singing"; " School Song Books"; "The
8828:
Stave Sol-fa Journal " (publishing in j)arts)
8829:
containing pieces b)- Croft, Beethoven, Mason,
8830:
Stevenson, Blow, Handel, etc." ; Two Books
8831:
of Swedish Songs.
8832:
8833:
Breden, Owen 58-R-24
Breden, Owen, music master at St.
8834:
Mark's College, Chelsea, was born at Norwood
8835:
in 1841. He was for five years a pupil teacher
8836:
at King's Somborne School, Hants. ; and in
8837:
18G0, gained a Queen's Scholarship at St.
1860, gained a Queen's Scholarship at St.
8838:
Mark's College, as a student. He had pre-
8839:
viously learned pianoforte and organ playing ;
8840:
and as the organ at the College Chapel was
8841:
put up while he was a student, he has played
8842:
it from the first, and continues to act as
8843:
organist and choirmaster. He became suc-
8844:
cessively master of the upper school, tutor,
8845:
and vice-principal ; and in 1883, gave up the
8846:
last to undertake the musical work. For this,
8847:
he had qualified himself by studying piano-
8848:
forte under Dr. Wylde, organ under Dr. E. J.
8849:
Hopkins, and singing under John Elwin.
8850:
8851:
Brekell, John 58-R-41
Brekell, John, clergyman, author of
8852:
" A Discourse on Musick, chiefly Church
8853:
Musick ; occasioned by the opening of the new
8854:
Organ in St. Peter's Church in Liverpool . . .
8855:
Sermon," London, 1766.
8856:
8857:
Brema, Marie 58-R-46
Brema, Marie, originally Beemer, voca-
Brema, Marie, originally Bremer, voca-
8858:
list, mezzo-soprano, a native of Liverpool.
8859:
She studied under G. Henschel, and made
8860:
her debut at the Monday Popular Concerts,
8861:
February 23, 1891. Later (October) in the
8862:
same year, she appeared as Lola in " Cavalleria
8863:
Rusticana," at the Shaftesbury Theatre. She
8864:
first sang at the Philharmonic Concerts, April
8865:
20, 1893, and at the Crystal Palace, March 24,
8866:
1894. She was engaged for the Bayreuth
8867:
performance of 1894, appearing as Ortrud,
8868:
and in 1896, as Fricka and Kundry. Her Fes-
8869:
tival debut took place at Birmingham, October
8870:
3, 1895, when she created a marked impression
8871:
by her dramatic rendering of the part of the
8872:
Evil Spirit in Hubert Parry's oratorio, "King
8873:
Saul." She now ranks among the leading
8874:
singers of the day.


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