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The British Musical Biography

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CROSSLEY.
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he still retains. He has in MS. a cantata,
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Ad61e, for soli, chorus, and orchestra; a string
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quartet, etc. He has published six songs ;
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Melody in D, violoncello and pf. ; Romance
16489:
in F, violin and pf. ; Three sketches, pf., etc.
16490:
16491:
Crossley, Hastings 108-L-6
Crossley, Hastings, amateur composer,
16492:
born at Glenburn, Antrim, August 1, 1846.
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Studied under Berthold Tours. Professor of
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Greek, Queen's College, Belfast. Composer
16495:
of Reine d'amour ; The cottage by the sea ;
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Strew on her roses ; Under the star, and
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other songs.
16498:
16499:
Crotch, William 108-L-13
Crotch, William, writer, composer, and
16500:
organist, was born at Norwich, July 5, 1775.
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He gave early evidence of great talent for
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music, and was taken to London in 1780.
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Assistant organist to Dr. Randall, at Cam-
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bridge, 1786. Studied for the Church at
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Oxford, 1788. Organist of Christ Church,
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Oxford, 1790-1807. Mus. Bac, Oxon., 1794.
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Organist of St. John's College, Oxford, 1797-
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1806. Professor of music at Oxford, March,
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1797. Mus. Doc, Oxon., 1799. Lectured in
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Music School of Oxford, 1800-4. Lectured at
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the Royal Institution, London, 1820. First
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Principal of the Royal Academy of Music,
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London, 1822. He died at Taunton, Decem-
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ber 29, 1847.
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16516:
Works. — Oratorios: The Captivity of Judah,
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1789 ; Palestine, by Bishop Heber, 1812; The
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Captivity of Judah, re-written, 1834. Anthems:
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Ten anthems dedicated to the Dean and
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Chapter of Christ Church [1798] ; Thirty
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select anthems, ed. by V. Novello, 2 vols.
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Collection of seventy-two original single and
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double ciiants, 1842 ; Tunes adapted to the
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old and new versions of the psalms. . . .1807 ;
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Be Merciful unto Me ; Comfort, Lord, the
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Soul of Thy Servant; Holy, Holy, Holy;
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How dear are Thy counsels ; In God's Word
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will I rejoice; Lo! S'ar-led Chiefs ; Methinks
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I hear the full Celestial Choir ; My God, look
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upon me ; O come hither, and hearken ;
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Lord God of Hosts; Sing we merrily ; The
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Lord is King ; Who is like unto Tliee. Three
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concertos for the organ with accompts.; Fugues
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for the organ ; Sonatas for the pf. ; Handel's
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oratorios (portions) adapted for the organ or
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pf. Ode on the Accession of George IV.,
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1827; Ode to Fancy, Warton (Doctor's exer
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cise), 1799. Glees, various. Elements of
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Musical ComjDosition, comprehending the
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rules of Thorough-bass and the theory of
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Tuning, London, 1812; 2nd edition, 18.33;
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8rd edition, Novello, 1856 ; Practical Tho-
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rough-bass, or the art of playing from a
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figured bass, London, n.d. ; Questions for the
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Examination of Pupils who are studying the
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work called Elements of ]\Iusical Composition
work called Elements of Musical Composition
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and Practical Thorough-bass, London [18.30];
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Substance of several courses of Lectures on
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Music, 1831; Specimens of various styles of
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Music referred to in a course of Lectures read

CROUCH.
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at Oxford and London, and adapted to keyed
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Instruments, London, 8 vols., n.d. ; Preludes
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for the Pianoforte, Compositions in various
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styles, to which are prefixed the rudiments of
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playing the instrument [1823].
16561:
16562:
Crotty, Leslie 108-R-6
Crotty, Leslie, baritone vocalist, born at
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Galway in 1853. Intended for a commercial
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life, he entered an office after leaving school,
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and was then for some years in a bank in
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Dublin. During this time he studied music
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under Alessandro Cellini, and frequently sang
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in concerts as an amateur. As such he also
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sang at times in opera for IMr. Carl Rosa,
sang at times in opera for Mr. Carl Rosa,
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during the second visit of his company to
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Dublin (1875?). He then went to Florence,
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and studied under Mabellini. Returning to
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England, he joined, in 1877, the Carl Rosa
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Opera Company, in which he remained for a
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little over ten years, his repertory comprising
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the parts of Rigoletto, Henry Ashton (Lucia
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di Lammermoor), Count di Luna (II Trova-
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tore), Danny ]\Iann (F^ilyof Killarney), Esca-
tore), Danny Mann (F^ilyof Killarney), Esca-
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millo (Carmen), and others. In 1889 he made
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his debut at Covent Garden, in Italian Opera,
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as the Count, in II Trovatore. In 1882 he
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married Miss Georgina Burns (q.v.), and
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about 1890 started a company for the produc-
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tion in English of Rossini's opera, " Cinder-
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ella," which successfully toured the provinces
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for some years.
16587:
16588:
Crouch, Anna Maria 108-R-31
Crouch, Anna Maria, bom Phillips,
Crouch, Anna Maria, born Phillips,
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soprano vocalist, born at London, April 20,
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1763. She studied under T. Linley, to whom
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she was articled in 1779, and first appeared
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at Drury Lane Theatre in Arne's " Artax-
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erxes," 1780. Appeared in Ireland with
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great success, 1783. INIarried to Mr. Crouch,
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a lieutenant in the navy, 1785. Sang at
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oratorios at Drury Lane, 1787. Separated
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from Crouch, 1792. Resided afterwards with
16598:
IMichael Kelly. Retired from the stage, 1800.
Michael Kelly. Retired from the stage, 1800.
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She died at Brighton, October 2, 1805.
16600:
16601:
" She had a remarkably sweet voice, and a
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naive, affecting style of singing ; this, added
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to extraordinary personal charms, made her
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a great favourite of the public for many 3 ears."
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A most laudatory poem on her is entitled
16606:
" Euphrosyne, an Ode to Beauty: addressed
16607:
to Mrs. Crouch, by Silvester Otway [other-
16608:
wise John Oswald], London, 1788. See also
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" IMemoirs of Mrs. Crouch," by M. Young,
" Memoirs of Mrs. Crouch," by M. Young,
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London, 2 vols., 1806, with portrait.
16611:
16612:
Crouch, Frederick Nicholls 108-R-53
Crouch, Frederick Nicholls, composer,
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vocalist and violoncellist, born in Warren
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Street, Fitzroy Square, London, July 31, 1808.
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Son of P. W. Crouch, violoncellist (q-v.). At
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the age of nine he played in the band of the
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Royal Ooburg Theatre. Then he travelled in
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Yorksliire and Scotland, and was for two
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years, through necessity, a common seaman
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on coasting smacks plying between London
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and Leith. Through the interest of William
16622:
Watts, then secretary of the Philharmonic


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