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The British Musical Biography

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BACHE.
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were addressed, and have only recently been
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published, and that in connection with the
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formation of the Scottish Orchestra at Glas-
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gow, in 1893. His compositions must be
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looked upon as the promise of what might
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have been had he lived longer ; they prove,
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however, that in Francis Edward Baclae death
however, that in Francis Edward Bache death
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robbed England of a highly gifted artist.
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Works. — Operas : Which is which (1851) ;
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Rubezahl (1853). Orchestral : Overture (per-
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formed, Adelphi Theatre, November, 1850) ;
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Concerto for pianoforte and orchestra in E ;
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Andante, Rondo, and Polonaise ; Morceau de
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concert in F, for pf. and orchestra. Trio in D,
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pf. and strings, Op. 28 ; Two Romances, violin
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and pf. ; Romance in G, flute and pf. ; Romance
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for pf . and 'cello. Op. 21. Pianoforte : Three Im-
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promptus, Op. 1 ; Two Romances, Op. 12 ; Pour
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Mazurkas, Op. 13 ; Five characteristic pieces.
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Op. 15 ; Deux Polkas, Op. 17 ; Souvenirs
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d'ltalie, eight pieces, Op 19; Les Clochettas
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des traineau. Op. 20 ; La Penseroso e 1' Allegra,
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Op. 24 ; Souvenirs de Torquay, five pieces. Op.
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26 ; other pieces and transcriptions, more than
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fifty in all. Introduction and Allegro, organ.
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Six songs for voice and pf.. Op. 16 ; Litany,
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words and music [1862] . Four songs [1859] ;
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and single songs — the "Farewell " being worthy
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to stand side by side with the lleder of Schu-
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bert and Schumann.
3061:
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Bache, Walter 21-L-31
Bache, Walter, pianist, born at Edgbas-
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ton, Birmingham, June 19, 1842. Fourth son
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of the Rev. Samuel Bache. Educated at the
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Proprietary School, Edgbaston. Began the
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study of music under James Stimpson, and at
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the age of 16 (August 1858) proceeded to
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Leipzig, studying at the Conservatorium, un-
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der Plaidy, IMoscheles, Hauptmann, and Rich-
der Plaidy, Moscheles, Hauptmann, and Rich-
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ter. At the end of three years, he left Leipzig,
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and visited Milan and Floi-ence, where he
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began to give lessons. In 1862, he went to
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Rome and studying for three years with Liszt,
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formed a life-long friendship with the illus-
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trious artist. In May, 1865, he settled in
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London as a teacher and performer. He gave
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his first concert, in conjunction with Mr.
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Gustave Garcia, in Collard's Rooms, July 4,
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1865, and then began that ardent champion-
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ship of the claims of Liszt as a composer that
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lasted to the end of his life. The concerts
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were gradually extended, and the services of
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an orchestra requisitioned in 1871, when Bache
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played the Concerto in E flat, and gave the
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symphonic poem, " Les Preludes " — intro-
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duced in 1865 for two pianos — with full or-
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chestra. Other modern composers were not
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overlooked, for works by Wagner, Berlioz,
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and Schumann, were introduced from time to
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time. But his affection for Liszt was strongest
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and his last recital, October 22, 1887, was
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• exclusively devoted to that master. Un-
exclusively devoted to that master. Un-
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daunted by hostile criticism, or financial loss,
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Bache went on with his propagandism, and if

BAILDON.
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he did not succeed in what he felt to be his
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mission, he did more than any one to break
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down that conservatism in music that was a
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positive hindrance to the art in this country.
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Bache's reception to Liszt at the Grosvenor
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GaUery, April 8, 1886, was a memorable inci-
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dent of the great pianist's last visit to this
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country. He was an active promoter of the
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Liszt Scholarship at the Royal Academy of
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Music ; the Scholarshiji to his own memory
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was incorporated in that of the man he so
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revered. Bache died, after a few days' illness,
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March 26, 1888, and was interred in the ceme-
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tery at West Hampstead. He had, for some
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years, been a professor of the pianoforte at
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the R.A.M.
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Among the works of Liszt brought forward
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at Bache's concerts, the following were per-
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formed in England for the first time : — The
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" Faust " Symphony, March 11, 1880 ; Sym-
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phonic poem, " Les Preludes," May 26, 1871 ;
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Scena, " Jeanne d'Arc au biicher," for soprano
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solo and orchestra ; Angelus, strings, February
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5, 1885 ; Fantasia quasi Sonata, " Apris une
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Lecture du Dante," February 21, 1887. The
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Legend of Saint Elizabeth was first performed
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in England, by the New Philharmonic Society,
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June 15, 1870, anticipating Bache, who brought
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out the work, February 24, 1876.
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Back, Sir George 21-R-30
Back, Sir Qeorge, naval officer, born
Back, Sir George, naval officer, born
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Stockport, 1796 ; died, 1878. He issued
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"Canadian Airs, collected by Lieut Back,
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R.N , during the late Arctic expedition under
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Captain Franklin. With symphonies and
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accompaniments by E. Knight, jun., the
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words by George Soane. " London, 1823.
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Bacon, Richard Mackenzie 21-R-37
Bacon, Richard Mackenzie, author and
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editor, born Norwich, 1776. He was editor
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of the " Quarterly Musical Magazine and
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Review." Died at Norwich, 1844.
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Wo KS. -Science and practice of vocal
Works. -Science and practice of vocal
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ornament, London, n.d. Elements of vocal
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science, being a philosophical enquiry into
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some of the principles of singing. London,
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1824. Art of improving the voice and ear,
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and of increasing their musical powers on
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philosophical principles. London, 1825.
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His daughter Louisa Maky Bacon, born at
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Norwich, March 4, 1800 ; died February 2,
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1885, was also a musician She married a
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Mr. Barwell.
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Bacon, Rev. Robert 21-R-52
Bacon, Rev. Robert, clergyman and
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musician of the ISth century. He graduated
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B. A., Oxford, in 1738; and in 1753 became
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priest vicar of Salisbury Cathedral. He died
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in 1759. Composer of chants, eic.
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Badland, Thomas 21-R-57
Badland, Thomas, musician, published
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" Set of original Tunes in four parts, adapted
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to the Hymns of the Rev. J. Wesley, etc,
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London [18271.
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Baildon, Joseph 21-R-61
Baildon, Joseph, composer and vocalist,
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born 1727. He was a Gentleman of the
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Chapel Royal, and Lay-Vicar of Westminster


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