40490: | •toured in South Africa ; and was engaged for toured in South Africa ; and was engaged for |
40491: | the grand opera, St. Petersburg, 1896-7. |
40492: | Her first important concert appearance was |
40493: | at Edinburgh, December, 1888, since when |
40494: | she has been lieard at all the chief concerts. |
40495: | She sang at the Leeds Festival, 1889 ; Bir- |
40496: | mingham, 1891, in "Elijah"; at the Handel |
40497: | Festival, 1801, etc., and is recognised as an |
40498: | artist of high attainments. |
40499: | |
40500: | Macirone, Clara Angela 263-L-10 Macirone, Clara Angela, composer, |
40501: | pianist, and teacher, born in London, in 1821. |
40502: | Descended from an ancient and noble Roman |
40503: | family. Her grandfather, who settled in |
40504: | England, served in the American war of |
40505: | Independence. Her father was a skilled |
40506: | amateur tenor singer, and her mother a |
40507: | cultivated pianist, pupil of Charles Neate. |
40508: | Her musical talent developed early with such |
40509: | home surroundings, and her sister (who died |
40510: | in 1888) became a water-colour painter of note. |
40511: | Miss Macirone entered the R.A.M. in 1839, |
40512: | studying under Cipriani Potter, W. H. Holmes, |
40513: | Charles Lucas, and others. On leaving, in |
40514: | 1842, she received a testimonial from the |
40515: | committee, a circumstance quite unique. |
40516: | She was made a professor of the pf. there, |
40517: | and elected an Associate of the Philharmonic |
40518: | Society, and F. R.A.M. Her first concert was |
40519: | given in the Hanover Square Rooms, June 26, |
40520: | 1846, when Pischek sang a Benedictus of |
40521: | her composition. This work, later, received |
40522: | praise from IMendelssohn. The concerts were praise from Mendelssohn. The concerts were |
40523: | continued until 1864, and then her chief work |
40524: | was in teaching and composing. She was |
40525: | head music mistress at Aske's School for |
40526: | Girls, Hatcham, 1872-8 ; and at the Church |
40527: | of England High School for Girls, Baker |
40528: | Street, London, she systematised the music |
40529: | teaching with the best results. The last few |
40530: | years have been passed in comparative retire- |
40531: | ment. In addition to composition, she has |
40532: | contributed many articles to the Girls Own |
40533: | Paper, the Argosy, and other periodicals. |
40534: | |
40535: | Works. — Te Deum and Jubilate, sung at |
40536: | Hanover Chapel, the first service by a woman |
40537: | ever used in the Church ; Anthem, By the |
40538: | waters of Babylon, sung at Canterbury, Ely, |
40539: | and other cathedrals, etc. Sacred songs, and |
40540: | duets. Songs : Cavalier's song ; Henri de |
40541: | Lagardere ; My child ; Golden grain ; Dreams ; |
40542: | The Recall ; Hesperus ; Oh, hush thee my |
40543: | babie ; Sweet and Low ; The Balaclava charge ; |
40544: | There is dew for the fiow'ret ; Montrose's |
40545: | Love Song, and many others. Part-songs : |
40546: | The Battle of the Baltic ; Sir Knight (sung at |
40547: | the composer's concert by four artists of |
40548: | repute. May 20, 1862) ; Autolycus' song ; Jog |
40549: | on, jog on the footpath way ; The Avon to |
40550: | the Severn runs ; Old Daddy Longlegs (in the |
40551: | programme of the Tonic Sol-fa Festival, |
40552: | Exeter Hall, IMay 15, 1882, but the words Exeter Hall, May 15, 1882, but the words |
40553: | were objected to by the authorities of the |
40554: | Hall, and another piece had to be substituted); |