| 40490: | •toured in South Africa ; and was engaged for toured in South Africa ; and was engaged for |
| 40491: | the grand opera, St. Petersburg, 1896-7. |
| 40492: | Her first important concert appearance was |
| 40493: | at Edinburgh, December, 1888, since when |
| 40494: | she has been lieard at all the chief concerts. |
| 40495: | She sang at the Leeds Festival, 1889 ; Bir- |
| 40496: | mingham, 1891, in "Elijah"; at the Handel |
| 40497: | Festival, 1801, etc., and is recognised as an |
| 40498: | artist of high attainments. |
| 40499: | |
| 40500: | Macirone, Clara Angela 263-L-10 Macirone, Clara Angela, composer, |
| 40501: | pianist, and teacher, born in London, in 1821. |
| 40502: | Descended from an ancient and noble Roman |
| 40503: | family. Her grandfather, who settled in |
| 40504: | England, served in the American war of |
| 40505: | Independence. Her father was a skilled |
| 40506: | amateur tenor singer, and her mother a |
| 40507: | cultivated pianist, pupil of Charles Neate. |
| 40508: | Her musical talent developed early with such |
| 40509: | home surroundings, and her sister (who died |
| 40510: | in 1888) became a water-colour painter of note. |
| 40511: | Miss Macirone entered the R.A.M. in 1839, |
| 40512: | studying under Cipriani Potter, W. H. Holmes, |
| 40513: | Charles Lucas, and others. On leaving, in |
| 40514: | 1842, she received a testimonial from the |
| 40515: | committee, a circumstance quite unique. |
| 40516: | She was made a professor of the pf. there, |
| 40517: | and elected an Associate of the Philharmonic |
| 40518: | Society, and F. R.A.M. Her first concert was |
| 40519: | given in the Hanover Square Rooms, June 26, |
| 40520: | 1846, when Pischek sang a Benedictus of |
| 40521: | her composition. This work, later, received |
| 40522: | praise from IMendelssohn. The concerts were praise from Mendelssohn. The concerts were |
| 40523: | continued until 1864, and then her chief work |
| 40524: | was in teaching and composing. She was |
| 40525: | head music mistress at Aske's School for |
| 40526: | Girls, Hatcham, 1872-8 ; and at the Church |
| 40527: | of England High School for Girls, Baker |
| 40528: | Street, London, she systematised the music |
| 40529: | teaching with the best results. The last few |
| 40530: | years have been passed in comparative retire- |
| 40531: | ment. In addition to composition, she has |
| 40532: | contributed many articles to the Girls Own |
| 40533: | Paper, the Argosy, and other periodicals. |
| 40534: | |
| 40535: | Works. — Te Deum and Jubilate, sung at |
| 40536: | Hanover Chapel, the first service by a woman |
| 40537: | ever used in the Church ; Anthem, By the |
| 40538: | waters of Babylon, sung at Canterbury, Ely, |
| 40539: | and other cathedrals, etc. Sacred songs, and |
| 40540: | duets. Songs : Cavalier's song ; Henri de |
| 40541: | Lagardere ; My child ; Golden grain ; Dreams ; |
| 40542: | The Recall ; Hesperus ; Oh, hush thee my |
| 40543: | babie ; Sweet and Low ; The Balaclava charge ; |
| 40544: | There is dew for the fiow'ret ; Montrose's |
| 40545: | Love Song, and many others. Part-songs : |
| 40546: | The Battle of the Baltic ; Sir Knight (sung at |
| 40547: | the composer's concert by four artists of |
| 40548: | repute. May 20, 1862) ; Autolycus' song ; Jog |
| 40549: | on, jog on the footpath way ; The Avon to |
| 40550: | the Severn runs ; Old Daddy Longlegs (in the |
| 40551: | programme of the Tonic Sol-fa Festival, |
| 40552: | Exeter Hall, IMay 15, 1882, but the words Exeter Hall, May 15, 1882, but the words |
| 40553: | were objected to by the authorities of the |
| 40554: | Hall, and another piece had to be substituted); |