login register

The British Musical Biography

Page 73 < PREV NEXT >

BUTT.
11046:
select collection of original Scottish airs,
11047:
arranged for one and two voices, with intro-
11048:
ductory and concluding symphonies for the
11049:
flute, violin, and pf., Edinburgh [1790].
11050:
Sonatas for the pf. (various). Songs, part-
11051:
songs, single pieces for pf., etc.
11052:
11053:
Butt, Clara 73-L-7
Butt, Clara, contralto vocalist, born at
11054:
Soutliwick, near Brighton. Studied under
11055:
D. W. Roothana, Bristol, for some years, and
11056:
sang at Miss Lock's concert, December, 1889,
11057:
with success. Entering the R.C.M., she dis-
11058:
tinguished herself at the College concerts, and
11059:
particularly in the performances of opera.
11060:
She made her debut at the Albert Hall, as
11061:
Ursula in Sullivan's " Golden Legend," Dec.
11062:
7, 1892, and sang there in oratorio (Israel in
11063:
Egypt) the next year. Her Festival debid
11064:
took place at Hanley, October 21, 1893, and
11065:
she sang at the Bristol Festival, October 25,
11066:
of the same year, she appeared at the
11067:
Handel Festival of 1894, and has sung at the
11068:
princiiDal London and provincial concerts.
11069:
11070:
Butterworth, Annie 73-L-23
Butterworth, Annie, contralto vocalist.
11071:
Educated at R.A.M. Westmoreland scholar,
11072:
1871 ; Nilsson prize, 1878. A.R.A.M. She
11073:
won the first prize for contralto singing at the
11074:
National Music Meetings at the Crystal
11075:
Palace, July, 1875, and sang at the Crystal
11076:
Palace concerts twice in- March, 1876, in
11077:
Beethoven's choral symphony, etc. She soon
11078:
gained a high position as a concert singer,
11079:
but her career was brief. She died at the age
11080:
of 33, at Hendon, December 9th, 1885.
11081:
11082:
Button, H. Elliot 73-L-34
Button, H. Elliot, alto vocalist, and
11083:
composer ; born at Clevedon, Somerset, Aug-
11084:
ust 8th, 1861. His father was a private
11085:
schoolmaster and organist, and the whole
11086:
family were musical, being able to provide
11087:
both a vocal and a string quartet. In theory
11088:
Mr. Button is self taught. He is a pianist,
11089:
organist, and violinist, besides being solo alto
11090:
at Holy Trinity, Upper Chelsea. He was
11091:
awarded the gold medal for an ode "The song
11092:
of the sower," performed at the National
11093:
Co-operative Festival at the Crystal Palace,
11094:
August 15th, 1891. His compositions include
11095:
" Ivry," a dramatic ballad for baritone solo,
11096:
chorus, and orchestra (1892); anthems, chants,
11097:
etc. ; part-songs ; songs for children ; organ
11098:
pieces, etc. Edited the third series of the
11099:
Bristol Tune Book, and other collections.
11100:
11101:
Butts, Thomas 73-L-52
Butts, Thomas, English musician of the
11102:
18th century. Compiler of " Harmonia
11103:
Sacra, or a choice collection of psalm and
11104:
hymn tunes ... in 2, 3, and 4 parts . . . made
11105:
use of in the principal chapels and churches
11106:
in London." London, n.d. [c. 1770 or 1780] .
11107:
Byrd, or Birde, William, composer and
11108:
Byrd, or Birde, William 73-L-58
organist, was born [at Lincoln] about 1538.
Byrd, or Birde, William, composer and
11109:
Senior chorister at St. Paul's Cathedral, 1554.
organist, was born [at Lincoln] about 1538.
11110:
He studied under Tallis. Organist of Lincoln
Senior chorister at St. Paul's Cathedral, 1554.
11111:
■Cathedral, 156.3-72. Gentleman of Chapel
He studied under Tallis. Organist of Lincoln
11112:
Royal, 1569. Organist of Chapel Royal (with
Cathedral, 156.3-72. Gentleman of Chapel
11113:
Royal, 1569. Organist of Chapel Royal (with

BYRNE.
11118:
Talhs), 1575. He died at London, July 4th,
11119:
1623.
11120:
11121:
Works.— Cantiones quae ab argumento
11122:
sacrte vocantur quinque et sex partium, 1575.
11123:
Psalmes, sonets, and songs of sadnes and
11124:
pietie, made into musicke of five partes,
11125:
London, 1588. Songs of sundrie natures,
11126:
some of gravitie, and others of myrth, fit for
11127:
all companies and voyces, lately made and
11128:
composed into inusicke of three, foiir, five,
11129:
and six parts, London, 1589. Liber primus
11130:
sacrarum cantionum quartum alife ad
11131:
quinque, ali?e uno ad sex voces aedita sunt,
11132:
London, 1589 ; reprinted by Musical Anti-
11133:
quarian Society, edited by W. Horsley. Liber
11134:
secundus sacrarum cantionum quartunr aliae
11135:
ad quinque, alite uno ad sex voces aedita sunt,
11136:
London, 1591. Gradualia, ac cantiones sacrse
11137:
libirr primus, 1607. Gradualia, ac cantiones
11138:
sa.crae liber secundus, 1610. Psalmes, songs,
11139:
and sonnets, some solemne, others joyfull,etc.,
11140:
1611. Parthenia, or the maidenbead of the
11141:
first musick that ever was printed for the
11142:
virginals, composed by the three famous
11143:
masters, William Byrd, Dr. John Bull, and
11144:
Orlando Gibbons, Gentlemen of HerMajestie's
11145:
Chappell, London, 1655. Service in D minor
11146:
(Boyce) ; Three anthems (Boyce) ; Mass for
11147:
five voices (Mus. Ant. Soc, Rimbault), 1841 ;
11148:
Compositions contained in the royal virginal
11149:
book ; Compositions contained in Lady
11150:
Neville's musick book, 1591 ; Music in Leigh-
11151:
ton's "Teares;" Non nobis dominae, in
11152:
Hilton's Catches, 1652. Madrigals in various
11153:
collections; Two other masses; anthems, etc.
11154:
Byrd was one of the greatest composers of
11155:
the 16th century. He lived at a period when
11156:
the musical glory of England was supreme.
11157:
Among his contemporaries were such men as
11158:
Tallis, Tye, Farrant, Dowland, Bull, INIorley,
11159:
Hooper, Gibbons, Wilbye, Lawes, Weelkes,
11160:
and Parsons. Byrd's claims to recognition
11161:
rest chiefly on his sacred music, which is
11162:
both dignified and grand without undue
11163:
elaboration. He was one of the first in
11164:
England to make use of the madrigal as an
11165:
expressive musical form, though it must be
11166:
admitted that his treatment of works of this
11167:
class is not generally so happy as that of
11168:
some of his successors. He was an organist
11169:
of much ability. His compositions for the
11170:
virginals are somewhat dry and elaborated
11171:
exercises in counterpoint. Byrd secured with
11172:
Tallis, in 1575, by patent, the supreme right
11173:
to publish music in England, and under this
11174:
patent they published the collection of sacred
11175:
music first named in the foregoing list of
11176:
Byrd's compositions.
11177:
11178:
Byrn, Adelaide C 73-R-59
Byrn, Adelaide C, see sub Baly,
11179:
William.
11180:
11181:
Byrne, C. S 73-R-61
Byrne, C. S., musician. Published a
11182:
" Selection of Scottish melodies, with words
11183:
by George Linley." London, 1827.


Page 73 < PREV NEXT >