4861: | and was M.A. and Ph. D. of Gottingen Uni- |
4862: | versity honoris causi. Organist of the Cathe- |
4863: | dral, Port of Spain, Trinadad, and died there |
4864: | March 13, 1872. He composed music for the |
4865: | pianoforte, and wrote a work entitled " Disser- |
4866: | tation on the Emotional Nature of Musical |
4867: | Art, and its Media of Operation," London, |
4868: | 1863. His son, Widliam H. Barry, born at |
4869: | Belfast, April, 1858, is a composer and concert |
4870: | giver in Dublin. |
4871: | |
4872: | Barthelemon, Mrs., see Young, Mary. |
4873: | |
4874: | Bartholomew, Ann Sheppard 33-L-12 Bartholomew, Ann Sheppard, born |
4875: | MouNSEY, composer, organist and pianist, |
4876: | born in London, April 17, 1811. Became a |
4877: | pupil of Logier in 1817, and came under the |
4878: | notice of Spohr when he visited Logier's iii- |
4879: | stitution in 1820, her harmonising of a melody |
4880: | being printed in his Autobiography (English |
4881: | ed., Vol. IL, p. 100). She afterwards studied |
4882: | under Samuel Wesley and Thomas Attwood, |
4883: | and in 1828 was appointed organist at Clap- |
4884: | ton. The next year she went to St. Michael's, |
4885: | Wood Street, and in 1837 to St. Vedast's, |
4886: | Foster Lane, a post she held for nearly fifty |
4887: | years. Associate of the Philharmonic Society, |
4888: | 1884 ; Member Royal Society of Musicians, |
4889: | 1839. In 1843 she began giving series of |
4890: | Classical Sacred Concerts at Crosby Hall, |
4891: | which were continued until 1848. The first |
4892: | concert took place November 22, 1843, and at |
4893: | that given January 8, 1845, Mendelssohn's |
4894: | " Hear my Prayer " (composed for these con- |
4895: | certs) was performed for the first time. Miss |
4896: | Rainforth singing the solo part. Several of |
4897: | Mendelssohn's smaller pieces were first intro- |
4898: | duced at these concerts. Miss Mounsey was |
4899: | married to ]Mr. W. Bartholomew, April 28, married to Mr. W. Bartholomew, April 28, |
4900: | 1853. Her artistic career was long and dis- |
4901: | tinguished. She was a fuie executant, par- |
4902: | ticularly upon the organ. The earliest of her |
4903: | known compositions, a ballad, " IMary, meet known compositions, a ballad, " Mary, meet |
4904: | me there," was published in 1832 ; and she |
4905: | issued a set of hymn tunes as late as 1883. |
4906: | She was the possessor of the original MS. of |
4907: | " Hear my Prayer," which she presented to |
4908: | the South Kensington Museum in 1871 ; and |
4909: | of the pianoforte score of " Elijah." The last |
4910: | few years of her life she passed in retirement, |
4911: | and died in London, June 24, 1891. |
4912: | |
4913: | Works. — Oratorio, The Nativity, produced |
4914: | at St. Martin's Hall (Hullah Concerts) Jan- |
4915: | uary 17, 1855 ; Sacred Cantata, Supplication |
4916: | and Thanksgiving, dedicated to H.R.H. the |
4917: | Princess of Wales, 1864 ; Sacred Harmony, |
4918: | Hymns, &c. ; Hymns of Prayer and Praise, |
4919: | (both edited and composed in conjunction |
4920: | with her sister, Elizabeth Moimsey) ; Thirty- |
4921: | four original tunes set to favourite hymns |
4922: | (1883), and other sacred pieces. Six songs, |
4923: | composed for the Royal Society of Female |
4924: | Musicians (1845) ; Six songs of remembrance ; |
4925: | many detached songs, &c. Six duets in canon |
4926: | (1836) ; Six four-part songs, Op. 87 ; A wreath |
4927: | o |