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The British Musical Biography

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CORBETT.
15403:
"Butterflies" (Algernon Swinburne), has en-
15404:
joyed great popularity.
15405:
15406:
Corbett, Samuel 101-L-3
Corbett, Samuel, organist and composer,
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born at Wellington, Shropshire, January 29,
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1852. Pupil of James Stimpson (Birmingham),
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and of Sir G. A. INIacfarren and James Coward.
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F.C.O., 1871 ; Mus. Bac., 1873 ; Mus. Doc,
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1879, Cambridge. Organist of Christ Church,
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Wellington, 1867; St. Mary's, Bridgenorth,
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1875 ; All Saints', Derby, 1886 ; and Holy
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Trinity, Bournemouth, from 1892. I\Ir. Cor-
Trinity, Bournemouth, from 1892. Mr. Cor-
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bett lost his sight when only three months
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old, but he has trained choirs, conducted
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concerts, and frequently played from memory
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the whole of such works as the Messiah, Israel,
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Elijah, etc. He committed to memory the
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score of Israel in Egypt in six weeks, for his
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Mus. D. examination, and was the first person
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so situated to pass. As a teacher he has been
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eminently successful. His compositions are :
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*' Bethany," a cantata ; Sonata for pf. ;
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Evening Service in P ; Anthem ; Songs, and
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part-songs, etc. He has acted as press
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correspondent for the Birmingham and other
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Festivals, following by ear every note in a
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score.
15430:
15431:
Corbett, William 101-L-27
Corbett, William, composer and violinist,
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born about 1669. Member of King's Band.
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Travelled in Italy, Burney says, on behalf of
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the English Government, who paid him to
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watch the movements of the Pretender.
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Returned to England, 1740, where he died,
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in 1748. He collected a valuable musical
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library.
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Wqrks. — Op. 1, Sonata for two violins and
Works. — Op. 1, Sonata for two violins and
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bass, London, 1705; Op. 2, Sonata for two
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flutes and bass, London, 1706 ; Op. 3, Sonata
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for two flutes and bass, London, 1707 ; Op. 4,
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Six Sonatas, a 3" for two flutes or two
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German flutes and a bass, consisting of pre-
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ludes, allemands, corants, sarabands, gavots,
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and jiggs. Book 1 ; Six Sonatas for two violins
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and thoro'-bass for the spinet or harpsichord,
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Book 2, London, n.d. ; Six Sonatas for two
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oboes or trumpets, two violins, and bass ;
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Concertos, or Universal Bizzarries, composed
15452:
on all the new Gustos during many years'
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residence in Italy, op. 5, London, 1741 ;
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Twelve Concertos for various instruments ;
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Music to " Henry IV.," 1700 ; Music to
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" Love Betrayed," 1703 ; Songs in collec-
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tions, etc.
15458:
15459:
Corder, Frederick 101-L-53
Corder, Frederick, composer and con-
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ductor, born in London, January 26, 1852.
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Though he showed musical talent at an early
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age, he was intended for a business career ;
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and it was not until 1874 that he entered the
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R. A.M. as a student. The next year he gained
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the Mendelssohn Scholarship, and studied
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four years with Ferdinand Hiller at Cologne.
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oon after his return to England he was ap-
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Ipointed conductor at the Brighton Aquarium,
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June, 1880, an office he resigned, September,

CORFE.
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1882. He gave many important works during
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that period, and greatly improved the charac-
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ter of the concerts. The next few years were
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given up to musical composition and literature.
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In 1890 he was appointed orchestral director
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at Trinity College, London ; Curator of the
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R.A.M. ; and conductor of the Borough of
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Hackney Choral Association. In 1891 he was
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elected a member of the managing committee,
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R.A.M., and in 1892, a Fellow of the Institu-
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tion. He was editor of The Overture, a
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monthly paper published bv students of the
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R.A.M.; 1890-4 ; and, in 1896, lectured at the
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Royal Institution on Berlioz, Wagner, and
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Liszt. His contributions to the press have
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been voluminous and important, including
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elaborate analyses of Wagner's works, and
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translations of " Die Meistersinger," and
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" Der Ring des Nibelungen," in which he was
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assisted by his accomplished wife, a lady
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(born Walford) not unknown in literary and
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artistic society.
15498:
15499:
Works. — Operas : Morte d'Arthur, in four
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acts (1877-9) ; Nordisa (produced by Carl Rosa,
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Liverpool, January 26, 1887). Operettas:
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Philomel (1880) ; A storm in a tea-cup (1880);
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The Nabob's Pickle (Brighton, September,
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1883) ; The Noble Savage (Brighton, October,
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1885). Cantatas: The Cyclops (1880); The
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Bridal of Triermain (Wolverhampton Festival,
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1886) ; The Sword of Argantyr (Leeds Festival,
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1889) ; Dreamland, ode for chorus and orches-
15509:
tra ; The Minstrel's Curse, for declamation
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and orchestra ; The Blind Girl of Castel,
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cantata, female voices ; Songs, various. For
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orchestra : Evening on the sea-shore, Idyl
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(1876) ; Suite, In the Black Forest (composed
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1876 ; performed, Crystal Palace, March 20,
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1880). Overtures : Ossian (Philharmonic
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Society, March, 1882) ; Prospero (Crystal
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Palace, October, 1885); Nocturne (1882,
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Brighton Festival) ; Suite, Scenes from the
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Tempest (1880) ; Roumanian Suite (composed
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for, and produced by Philharmonic Society,
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1887). Roumanian dances, violin and pf.
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Literari/ : Exercises in Harmony and Counter-
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point (Forsyth, 1891) ; A jilain and easy
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introduction to Music, or the new ]\Iorley
introduction to Music, or the new Morley
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(Forsyth, 1893) ; The Orchestra, and how to
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write for it (Robert Cocks, 1896) ; Articles in
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Grove's Dictionary of Music and Musicians.
15528:
15529:
Cordner, William John 101-R-52
Cordner, William John, organist, born
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at Duncannon, Wexford, Ireland, 1826. Went
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to Australia in 1854, and was organist at
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St. Patrick's, Sydney, until 1856, when he
15533:
was appointed to St. Mary's R. C. Cathedral,
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an office he held until his death, July 15,
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1870. He was held in much estimation as
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a teacher.
15537:
15538:
Corfe, Joseph 101-R-60
Corfe, Joseph, oi-ganist, writer, and com-
Corfe, Joseph, organist, writer, and com-
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poser, born at Salisbury in 1740. Chorister
15540:
at Salisbury Cathedral. Gentleman of Chapel
15541:
Royal, 1783. Organist and choir-master at


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